In this tribute to the old time spaghetti westerns with a liberal dose of modern Hong Kong film-making thrown in, Emilio Estevez assumes Clint Eastwood's "man with no name" role. Estevez plays a super-quick gunman on the run from a rancher (Long) and his men out to kill him for killing his son. The gunman gets mixed up with a former Confederate soldier (William Forsythe) who has knowledge of hidden gold. The only trouble is he is also pursued by Union soldiers. When they free a man (Ed Lauter) with part of the map to the gold, they then are also pursued by Spanish soldiers. It all leads to a small Mexican town terrorized by soldiers and led a by a good priest (Joaquim De Almeida) who also has knowledge of the gold.

Five fabulous, queer ghost hunters criss-cross the country, helping the living by healing the dead. As they explore some of the world’s most infamous haunted locations, they’ll shed light on those not seen and illuminate untold stories. Together they’ll push past boundaries to bring acceptance to the misunderstood – living and dead.

A hardened bounty hunter, a gang of outlaws in his trust and a preacher are forced to work together and battle their way across the old west of the 1870s when the zombie apocalypse begins.

A hitman accidentally kills a little girl. Filled with regret, he wants to quit. But then to tie up loose ends, he is forced to go on another job, to kill the girl's mother.

For Robbing the Dead is a story of compassion - compassion toward those who may seem the least deserving of Christian love. It follows the story of Henry Heath, a law officer in 1862 Salt Lake City. Heath finds himself responsible for the well-being of a prisoner whom he despises - an impoverished French immigrant named Jean Baptiste who is convicted of robbing the graves of the recently deceased. Baptiste is exiled to Antelope Island in the Great Salt Lake. With no one willing to look after this man, Henry Heath becomes Baptiste's sole defense against the hostile isolation of Antelope Island and the contempt of an entire community. Through his somewhat reluctant service, Heath's heart softens and his own sorrows find relief.

For Robbing the Dead is a story of compassion - compassion toward those who may seem the least deserving of Christian love. It follows the story of Henry Heath, a law officer in 1862 Salt Lake City. Heath finds himself responsible for the well-being of a prisoner whom he despises - an impoverished French immigrant named Jean Baptiste who is convicted of robbing the graves of the recently deceased. Baptiste is exiled to Antelope Island in the Great Salt Lake. With no one willing to look after this man, Henry Heath becomes Baptiste's sole defense against the hostile isolation of Antelope Island and the contempt of an entire community. Through his somewhat reluctant service, Heath's heart softens and his own sorrows find relief.

Armed with a limitless Rolodex and a Benedict Canyon enclave with its own disco, Allan Carr threw the Hollywood parties that defined the 1970s. A producer, manager, and marketing genius, Carr built his bombastic reputation amid a series of successes including the mega-hit musical film "Grease," until it all came crashing down after he produced the 1989 Academy Awards, a notorious debacle.

Armed with a limitless Rolodex and a Benedict Canyon enclave with its own disco, Allan Carr threw the Hollywood parties that defined the 1970s. A producer, manager, and marketing genius, Carr built his bombastic reputation amid a series of successes including the mega-hit musical film "Grease," until it all came crashing down after he produced the 1989 Academy Awards, a notorious debacle.

Despite her lover's feelings, a pro-choice journalist considers having an abortion.

Victim of a psychopathological setback after an accident, the wife of a postman has no other interest than reading the mail that her husband has to deliver. With his behavior, he manages to intervene in the lives of those who write those letters, which causes unforeseen consequences. A kind of disturbing psychological thriller